I, for one, enjoy provacative and thoughtful art. Wherever it's displayed.
Keep in mind, I didn't write all this. But I find the whole write-up very interesting. There was clearly a Freemason involvement in the airport due to the masonic monument. All these Nazi/Aryan references, scenes of apocalypse and dead people, glowing red eyes in the horse statue.... I just find it very disturbing.
I've never walked through a building with such troubling depictions. Maybe my taste in art is different than some people's. I mean seriously... a giant Nazi soldier towering over a line of mourning mothers... Explain it to me.
Pretty much dicates the shape they'll make on the ground.
As per our last conversation on this subject, I found 3 other ways they could have laid out the airport. The swastika was the fourth.
Two runways parallel heading just off N/S, Two runways just off W/E. It's the positioning of the runways that would be key. They would have to be spaced right, but I think no more than 100yds should be sufficient. They couldn't land simultaneously but stagger them by 5 seconds and turbulence wouldn't be a factor. With light to no wind they could both come in side by side. The way they are set up now they can still only land two at a time.
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Ummm.... no.
100 yards isn't CLOSE to sufficient. 5 seconds isn't CLOSE to enough time. Try 3 minutes. Study up a bit more on wake turbulence. It's caused crashes before. No... they couldn't come in side by side only 100 yards apart. For example, two 747s would be as close as 75 feet apart trying to land on runways 100 yards distant. Not all that great an idea.
I don't mean from runway to runway. I mean from wing tip to wing tip. It's possible. Also, you're right. It's not 5 seconds that was my mix up. I was thinking smaller planes and larger planes and got them mixed up.
Four runways? There are 4 main runways that handle the larger jets. The smaller runways are built in next to the larger runways. I figured we were only discussing larger jets as that was were my given perspective came from. 727/747 pilots. For an airport designed to handle the capacity of DIA? Look closely. Those runways are different sizes, and widely spaced. They can handle different sizes and types of aircraft, simultaneously, spaced the way they are. They can depart one runway, and due to the unique nature of wake turbulence be landing on the one next to it at the same time. Two aircraft landing, two departing. This could still be accomplished with either layout I described. Especially the square layout. They don't even have to be perfectly square. Push one runway out 1000yds or less to intersect one of the other runways to allow from traffic to and from the terminal. Again, it didn't have to be a swastika. Calm winds, they can do six operations simultaneously, and due to the design and spacing of the runways, they can operate smaller aircraft with larger aircraft without slowing down operations for wake turb. Currently they are averaging an operation every 1.2 minutes, more than 1600 a day. Your design? They could be limited to one operation every 3 minutes. My failure to communicate about the smaller runways was my fault. So this calculation is off. There ARE airports out there that use your design. They are older ones, and not capable of ever handling close to the volume KDEN is. It is an airport designed not just for current needs, but also future ones. O'hare handles more, but they need 8 runways to do it, and is the source of delays nationwide because it can be a major charlie foxtrot. LAX is layed out much like your suggestion. They are only handling about 1350 a day, or .9 per minute and are utterly maxed out.
I enjoy provacative and thoughtful art too. What I don't enjoy is evil deranged "art" being displayed all over an airport. I don't want the last images in my head of civilization (should my plane have catastrophic failure) to be that of the most evil things I can imagine.
They. did. not. have. to. design. it. like. a. swastika. Period.
The mountain won't burn, but the cars, trucks, fuel, and chemicals going through the tunnel burn quite nicely.
There have been a couple spectacular fires in tunnels that illustrate the dangers.
Dross, what is the reasoning from the locals or from the artists for the art that may push the boundaries of good taste, such as the horse with red eyes and such? Or the Nazi-esque soldier?I guess one man's "evil and deranged" is another man's "provactive." Living here, and having flown from here many times, I can tell you there is also lots of more conventional art, that would not be provactive to anyone, much less, "evil and deranged."
SE you do realize that the DIA "swastika" is not following the Nazi form (ie it's not at an angle) but following the traditional religous form (Swastika - Wikipedia, the free encyclopedia).
In additon the swastika is NOT a symbol of evil and the Nazi's don't own it outright. Yes most 20th century generations will immediatley think Nazi when they see any type of swastika form but the form (geometric shape) is very old much like the square, triangle, etc..
Dross, what is the reasoning from the locals or from the artists for the art that may push the boundaries of good taste, such as the horse with red eyes and such? Or the Nazi-esque soldier?