Getting back to the videos ... after seeing the head guy go at it with his students, it's really obvious why they all perform the movements the way they do. They're all mimicking an example who displays poor body mechanics on virtually every technique and movement. I would conjecture that the main instructor learned by similarly mimicking someone else, but never understanding how to actually position and move his own body in order to execute the movements with even rudimentary mastery. That's not uncommon, unfortunately, but it's certainly obvious enough to be noteworthy when you see video evidence.
It's also something I've noticed a lot in point fighters. I think point fighting has a tendency to encourage certain attributes. People who are primarily point fighters tend to favor very quick, "flicky" movements, because that's what is rewarded in their sport. The kinds of body mechanics that would deliver power, along with many other considerations that would be important in MMA or on the street (and yes, there are some differences there, too...) are not necessarily important to a point fighter. The same is true for any of the other sports, including MMA -- an MMA guy would not typically come in and dominate a kata competition without some transition work, as they don't put emphasis on some of the things that are valued in kata competition.
Very true, but the same can be said about pretty much any sport. Bowlers won't be good skittles players. Baseballers won't be good cricket players.
No argument. But let's not start calling baseball and bowling "sports".
I took Karate 3 times when I was younger. Trained at Kincaids Karate in Lebanon. My dad practiced there as well, and actually met Herb Johnson, well, not met, but was in the same room as he was...
It's also something I've noticed a lot in point fighters. I think point fighting has a tendency to encourage certain attributes. People who are primarily point fighters tend to favor very quick, "flicky" movements, because that's what is rewarded in their sport. The kinds of body mechanics that would deliver power, along with many other considerations that would be important in MMA or on the street (and yes, there are some differences there, too...) are not necessarily important to a point fighter. The same is true for any of the other sports, including MMA -- an MMA guy would not typically come in and dominate a kata competition without some transition work, as they don't put emphasis on some of the things that are valued in kata competition.
Very true, but the same can be said about pretty much any sport. Bowlers won't be good skittles players. Baseballers won't be good cricket players. Just because they're related doesn't mean they're the same. That said, it seems like the martial artists who are most successful in MMA and street fighting are the ones who realize that techniques don't change just because you're on the ground. Even on your back, you can still do a leg sweep, for example. The technique is the same, but the target or the end result will be different. Rotating your body 90 degrees changes nothing. Too many karate point fighters jump in the MMA ring and never understand why they get crushed.
No argument. But let's not start calling baseball and bowling "sports".
I took Karate 3 times when I was younger. Trained at Kincaids Karate in Lebanon.
Phil Morgan You?
Is Phil Morgan's (Shorei Goju Ryu) a hard "knockdown" style of karate? (i.e. live, full-contact, full-force sparring and competitions?) Or is it oriented toward point fighting with minimal actual, hard contact during practice sparring?
The "competition sparing" portion is not full contact. It's more point-style, but that's a very small part of the style in general and I was never that interested in it. When I did participate in tournaments (which was rare, and usually only when mandatory), it was in Kata, and Weapons Kata. My focus and interest was always more geared towards the self-defense side of things. I started out young, but once I began participating in the "adult" classes, the contact on the self-defense side of things was heavy but controlled. We weren't trying to really hurt each other, but it was certainly unpleasant enough to implement techniques to avoid getting hit. There were some black eyes and busted lips.
Spasmo and I competed in an invitational tournament in Europe about ten years ago. It was NO contact! They wore no pads or cups or anything. We were told it was because many of the participants were from countries with very little money and so equipment was not really an option. During sparring, any contact was a disqualification. It actually turned out to be really interesting to fight that way. It emphasized extreme control over punishing power. You had to demonstrate a precise and deliberate strike, stopping just millimeters away from contact. You couldn't just whiff it and score a point. It was extremely fun and surprisingly challenging. I only took 4th place, though.
I agree there are some advantages to developing great control and perfect technique. I admire the form and control of serious Karateka. I also think if its all you do, you never become a serious fighter or understand how to deal with the contact and pressure of a real fight.
Oh, absolutely. But people take martial arts for all kinds of reasons. Not everyone is interested in self-defense or "serious fighting". It's great that there are different schools and styles for everyone's needs. It would really suck if you were just looking to get an aerobic workout and improve your reaction times but you were forced to submit to the occasional bare-knuckle face-pummeling to get it.
Oh, absolutely. But people take martial arts for all kinds of reasons. Not everyone is interested in self-defense or "serious fighting". It's great that there are different schools and styles for everyone's needs. It would really suck if you were just looking to get an aerobic workout and improve your reaction times but you were forced to submit to the occasional bare-knuckle face-pummeling to get it.
yes, daniel-San.
Wax off is my favorite technique.
Wax off is my favorite technique.
I know, I'm married, too.